10. The Cardboard Universe: A Guide to the World of Phoebus K. Dank by Christopher Miller

I originally purchase this book as a Christmas gift for my brother. It looked interesting and he is enough of a sci-fi fan that I figured he would appreciate it. When I got it home I skimmed a bit more, started reading the first few pages, and before long I realized I was going to need to find a new Christmas gift for that brother. (Sorry, Ryan! Glad you are enjoying the Veronica Mars DVDs. You're welcome to borrow this anytime now that I'm finished.)

The Cardboard Universe is a story about a fictional science fiction writer named Phoebus K. Dank. But it isn't a conventional novel, the book is set up like an encyclopedia of his life and work written collaboratively by two critics who knew him in life. It starts with an 'about the authors' blurb, a preface, and a "Dank Chronology" timeline (all fictitious) before going on to an alphabetical listing of entries on major and minor works, family, ex-wives, and other life events (with footnotes) that makes up the entire rest of the novel.

The tone of the dual narrators is an important part of the storytelling. The primary voice is Boswell, a friend of Dank and a committed admirer of his work. Boswell is trying to start the Dank Studies department at the local college and bevies Dank to be one of the greatest writers of our time. He lived with Dank until the author's death (murder, actually, and all this is in the preface so no spoilers). The other narrator is Hirt, a former schoolmate and also former roommate of Dank. Hirt's entries, though, are much harsher and more critical of Dank, both as a writer (a hack) and as a person (a slob). Boswell maintains that Hirt killed Dank in a fit of jealousy but the case was never resolved and Hirt is sending his contributions to the encyclopedia via email from an undisclosed location overseas.

Each entry is written by one of these narrators with the other occasionally interjecting a footnote for additional commentary. The entries range from a few paragraphs to a few pages long, so the novel is very fragmented. From the beginning the book deviates sharply from what a serious encyclopedia would look like. Most of Dank's writing comes from his life- his self doubts, his fantasies, people he knows and events he experiences and then reimagines into a fantastical sci-fi premise, so the narrators constantly speculate on these inspirations and tie various stories back to real-world events. There are continuous digressions into not just the personal life of Dank and the quality of his writing, but also the personal lives of Boswell and Hirt, anecdotes about their current situations, and back and forth snipping at each other. These tangents always start out loosely related to the topic of the entry and then spin off into unrelated territory. Through this technique the rigid structure imposed by the encyclopedia format is broken down and allows for a more conventional narrative story to develop (still quite unconventional, but not nearly as tedious as piecing together a plot from the raw data of a realistic encyclopedia).

For the most part the entries feel almost random since you are getting them in alphabetical order rather than chronological. Also, certain entries refer to future or past entries (cross references are provided in the text). I realize this description makes it sound extremely complex and hard to follow but I want to stress that it is really the exact opposite. Despite all the postmodern indulgences the reading itself comes easy and the story isn't too hard to follow. If anything it spends too much time reinforcing the same points and becomes a bit repetitive but the fragmented nature of a series of entries keeps it varied and makes it easy to pick up and put down.

The aspect of this book that first got me hooked were the entries that encapsulated Dank's many short stories and novels. Each new premise and summarized twist ending kept me engaged to see what else he would come up with. The personalities of the three main characters (Dank, Boswell, and Hirt) quickly emerge through the entries and before long you are invested in the story and interested to find out where it is going. Despite the seemingly arbitrary ordering of entries and the invitation to jump around the text following cross references this is a novel that you want to read straight through. There actually are a few twists and surprises to be revealed in time. I will admit that at over 500 pages it gets a little long and starts to drag a bit in the middle as the seemingly random stories of Dank's laziness, eccentricity and agoraphobia pile up, but it picks up steam toward the end as the real lives of Boswell and Hirt become more interesting.

Dank is obviously inspired by Philip K. Dick, although Dank's fictional lifetime (1952 - 2006) is skewed roughly 25 years from Dick's (1928-82). Also it is clear that the author (the real author, Chris Miller) is a fan of Phillip K. Dick despite the fact that Dank is portrayed as a hack, a slob, and a lazy, somewhat incompetent writer. In fact, Philip K. Dick is even worked into the novel but as a fictional character created by Dank, an imagining of the type of writer he wanted to be. The novel also clearly takes inspiration from Nabokov's Pale Fire, and is reminiscent of Bolano's Nazi Literature in the America's. [bonus book recommendation: someone should check out "Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion, and Jewelry" which is a work of fiction that attempts to tell the story of a relationship entirely through pictures and accompanying text in the style of an auction catalogue.]

I really enjoyed reading this. It was one of those books that puts you in a good mood knowing that you are on your way home and will have a chance to curl up with it when you get there. I enjoyed each new and inventive story-within-the-story as Dank's oeuvre was reviewed by the collaborators. I want to recommend this book, not just as one of the best of 2009, but as one I think a lot of other people would enjoy and one they might not hear about otherwise.

9. Norwegian Wood by Haruki Murakami

This is the first novel I have read by Japanese author Haruki Murakami. It is the breakout novel that launched him to Superstar Author (from merely famous author) when it was first published in Japan in 1987. An English translation was published in 2000.

The straightforward realism of Norwegian Wood is uncharacteristic of Murakami, who, as I understand it, usually favors complex and unconventional stories with supernatural elements. Here we have what is primarily a coming of age story, and also a love story, that is so vivid and emotional it could easily be a memoir. I was told it is a good starting point for someone unfamiliar with his work, and after reading it I would have to agree. It may not be necessary to ease into Murakami with so much caution, as if his other writing would be too difficult and complex for the uninitiated reader, but this elegant and beautiful novel is certainly as good a place to start as any.

In it the narrator, Toru Watanabe, recalls his days as a young student in Tokyo. The primary focus is on his relationship with an emotionally troubled girl named Naoko. Both of their lives are affected by the tragic suicide of Kizuki, who was Watanabe's best friend and Naoko's boyfriend when they were all in high school together. The "it's complicated" relationship that emerges between Naoko and Watanabe plays out as both go on to college in Tokyo and try to come to terms with Kizuki's death and growing into their own adult lives. The specter of suicide haunts the novel, looming in the past and the future of it's characters.

Despite the foreign country, Japan, and foreign time period, the late '60s, I found it very easy to relate to the characters and events in this novel. Murakami is dealing with universal themes and he renders them so clearly that identifying with Watanabe is effortless for the reader. He is honest and thoughtful, very observant of the world around him and always trying to make sense of his place in it. He is very accepting of other people, and an eclectic cast of supporting characters are intorduced as the novel progresses. His roommate, nicknamed stormtrooper, is an awkward neat-freak who inspires many humorous anecdotes. He also befriends the charismatic but amoral alpha-male of the dormitory, Nagasawa, who bonds with Watanabe over their shared interest in The Great Gatsby and takes him out to meet girls. Midori, a flirtatious classmate, becomes the other woman in Watanabe's life while his strained relationship with Naoko plays out.

Another aspect of the novel that makes it easy to relate to is the presence of Western culture, especially American pop music and literature, referenced throughout. The title is a reference to the Beatles song, Naoko's favorite, that always reminds Watanabe of her. Watanabe has an affinity for American music, literature, and films. Other than the fact that everyone has a Japanese name and the food is a little different the story could be transplanted right down the street and take place last year.

I loved the descriptiveness and insightfullness of this novel without it ever seeming wasteful or unnecessary. Everything is communicated simply, directly, and with a purpose. I will be making a point to pick up more Murakami in the near future, probably Kafka on the Shore, The Wind-Up Bird Chronicle, and Hard-Boiled Wonderland and the End of the World.

On Reading and Reading Groups (This is not a blog post)

I've been reading some really great books lately but unfortunately the holidays have quickly given way to fiscal year end and one of the most hellishly busy weeks of my job. Reviews are coming soon for Norwegian Wood, Homer & Langley, and The Cardboard Universe: A Guide to the World of Phoebus K. Dank. I hope to use the weekend to get caught up.

Meanwhile, I am building on my Cannonball Read momentum and seeking out more book reviews, discussions, and book-related blogs in my spare time. It has lead to a lot of introspection as I seek to understand what reading means for me, and what kind of reader I am, and what kind of books I want to read next, and why, and what I hope to get out of them, and how to better appreciate what I read, and understand it, and what to do with the excitable urge to share everything that inspires me with other people who will appreciate it too...

Of course this blog and the Pajiba/ Cannonball Read community are a great outlet for this. I'm really glad I made the commitment to participate even when I feel too overwhelmed to contemplate 40+ more books in the coming 10 months. (Really, the hardest part is maintaining the discipline to finish each book I start and not starting too many different books at a time; two are three at most). And as I try to apply order to my chaotic whims I see some opportunities coming up that I want to build into my Cannonball goals.

First, it sounds like there is going to be a large-ish online reading group tackling Roberto Bolaño's 2666 this year. Originally this was a project announced by the guys who did Infinite Summer last year (a large online reading of Infinite Jest that coordinated in-depth analysis of that complex novel while providing summaries of sections to help guide readers of all different experience levels). Now it looks like some of the centralized organization of that effort is falling through but there is still enough interest that people are going to band together and try to pull this off. The web site with detials is here: 2666 Group Read.

From Wikipedia:

2666 (2004) is the last novel written by Chilean-born novelist Roberto Bolaño. Depicting the unsolved and ongoing serial murders of Ciudad Juárez (Santa Teresa in the novel), the Eastern Front in World War II, and the breakdown of relationships and careers. The apocalyptic 2666 explores 20th century degeneration through a wide array of characters, locations, time periods, and stories within stories.

I'm going to attempt to read this along with the group. If anyone else is interested enough to give it a try I welcome you. The book consists of 5 parts so I will probably post 5 seperate "reviews" as I work through it. They space out the reading pretty well (about 50 pages a week, 15 weeks total) so I will continue to read other novels and review them here.

The other big news is that it looks like there is enough support to get a loose Pajiba/ Cannonball Read reading group organized. I haven't had much of a chance to follow up on it this week due to work obligations but announcements should be comming soon. It won't be a big ordeal since most of the structure- blog networl, Facebook Group, Web Site- alredy exists. It is just an attmept to propose a "book of the month"so that various Pajibans can read the same thing at the same time and maybe have some good discussion and sharing come from it. I think Lolita will be the first book. Any official announcements will come from Pajiba.com.

8. The Elegance of the Hedgehog by Muriel Barbery

The Elegance of the Hedgehog is a novel written by French author and philosophy professor Muriel Barbery in 2006 and translated to English in 2008. It was a very successful book in France, spending almost two years on the best sellers list (That's more than Dan Brown does over here) and it has done pretty well for a work of translated fiction in the US enjoying strong sales and mostly positive reviews. It is a novel of ideas with a focus on cultivating an appreciation of the beauty in the world that goes unnoticed by so many.

The story is told by two narrators, both residents of a luxury Paris apartment building. The principle character is Renée, the building's concierge, and her first person narrative sections make up the majority of the story. Renée spends her days tending to the needs of the wealthy families who live at number 7 Rue de Grenelle. She carefully maintains an outward image of a dull, frumpy, stereotypical Parisian concierge and makes every effort to conceal her true nature from those around her- that she is a passionate autodidact who spends her free time engaged with art and philosophy.

The other narrator is an exceptionally bright 12-year-old girl living the the building named Paloma. Her perspective is relayed entirely in the form of entries in her journal. Paloma has decided that growing up means living a life that is tedious and unhappy, and has therefore decided to commit suicide on her 13th birthday. Her journals are used to record observations about the world as she looks for something with meaning; something worth living for. She keeps two journals, one of "Profound Thoughts" to record observations and insights about human nature and a second of "Movements of the World" where she records particularly beautiful or interesting movements or actions, everything from the elegant movements of football players her Dad watches, to the grace and beauty of a falling rose pedal, or the absurd and sublime incident of two mannered women fighting over the last pair of underwear at an Paris boutique (Ricky Fitts would be proud).

These two character begin the story in their own separate worlds, isolated from almost everyone around them and unaware of each other beyond superficial familiarity. As the story progresses a third character is introduced, a retired Japanese businessman named Kakuro Ozu who moves into the building and manages to see through the facades of both characters and engages them, bringing them out of their respective hiding. These matters of plot, however, are mostly a pretext to allow the characters to muse on philosophy, the meaning of life, the beauty of art, and other ideas. The novel is filled with allusions to Tolstoy, Kant, Husserl and Marx as well as 17th century Dutch painters and Japanese arthouse filmmakers and also films like Blade Runner. It is an interesting and thought-provoking mixture.

It was a different perspective for me to read a novel by an older, female, European author. I enjoyed the characters even if they were a bit thin and unrealistic (Paloma was great, but she did have a tendency to sound like a middle-aged philosophy professor at times.) There was a lot of class-consciousness in the story, especially from Renée, the concierge, who really seemed to be going to extraordinary lengths to ensure that none of the wealthy families she worked for caught on to the fact that she was reading Kant and Husserl in her spare time. I can relate to keeping to yourself and not advertising your intellectual tendencies but the need for being so covert and guarded was hard to understand. Would the residents really care, or pay any mind at all if she was found reading a book instead of watching TV? I also had trouble accepting Palomas haste to chose suicide as the only viable option despite being presented to us as a highly intelligent person who must know that she has only experienced a fraction of what life has to offer at age 12. But it is best to accept these elements and give the story a chance. Themes of class struggle and the idea of suicide are important to the novel for the philosophical concepts they represent. If Camus can state that "there is but one truly serious philosophical problem, and that is suicide" in The Myth of Sisyphus I should accept Paloma's inclination as well.

The real point of the novel is in the constant digressions into observations of human nature and reflections on the beauty of art. Barbery is using a novel to explore ideas about how we live and why we live. The novel is about philosophy, literature, music, art, and how they lend meaning to life. Once you have read it through you can flip through it again at random and any given section you re-read will give you something to consider and reflect on. This alone makes it worthwhile, and accounts for much of the popularity and praise the book has received.

7. The Original of Laura (Dying is Fun) by Vladimir Nabokov

When Vladimir Nabokov died in 1977 at the age of 78 he was working on a novel to be called The Original of Laura. Nabokov is famous as the author of Lolita, Pale Fire, the memoir Speak, Memory and many other novels, essays, and short stories. He left instructions that in the event of his death any unfinished work was to be destroyed. He was known as a perfectionist and has advised that other writers should destroy rough drafts of their work so they won’t be picked over later by scholars (then again, his wife reportedly had to stop him from tossing Lolita into the incinerator at one point, so maybe he isn’t the best arbiter of cultural value).

His wife could not bring herself to destroy this work either and left the manuscript and the responsibility to their son Dmitri when she died. The idea of a latent masterpiece left unfinished and at risk of never being brought to light was the subject of much controversy, speculation and debate in the literary world for thirty years after Nabokov's death. Eventually, Dmitri decided to go against his fathers wishes and have the manuscript published.

To understand this book requires some knowledge of Nabokov's writing process. He has said that he likes to conceive his novels in full before he begins writing. He then writes the novel out on a series of index cards because it gives him the freedom to jump into different sections without being tied to the order of the novel and this also makes it easier to rewrite sections without having to perform major surgery on a typed or hand-written manuscript.

The incomplete manuscript for The Original of Laura consists of Nabokov's own handwriting across 138 index cards. The published book features a reproduction of an index card on each page with a printed version of the text below. It is really more like a roughly sketched out novella. The pages are printed on heavy paper stock and only printed on one side to give the novel more heft and justify the $35 list price. The cards were arranged by Dmitri with a few brief editorial clarifications included where necessary. That, along with Dmitri's introduction, is it.

The story is difficult to piece together. It jumps between short chapters (really just rough drafts of chapters) that tell the story of an overweight academic named Philip Wild who is married to a young, beautiful and promiscuous young woman named Flora. The opening scene describes an affair she has with another man after a party. The story then reaches back to tell stories of her past and her family. At some point a book has been written by one of her former lovers called "My Laura." It is a work of fiction but appears based on an affair the author had with Flora, a fact not lost on friends and acquaintances (one tells her: “And there’s your wonderful death ... You’ll scream with laughter. It’s the craziest death in the world."). Her husband finds it all humiliating, but also regards it as exceptionally well written. He is preoccupied with the idea of his own death and likes spend hours meditating, imagining erasing himself slowly from the toes up and then restoring himself. For about the first half of the novel the narrative holds together and you feel like you are reading a pretty normal, kind of choppy story but after that it begins to fall apart and becomes a series of notes and briefly sketched out scenes. Some cards just feature a quote, definition, or a series of synonyms (the last is: "efface, expunge, erase, delete, rub out, wipe out, obliterate,").

After so much anticipation the response from critics and scholars was one of disappointment. They found fault with the quality of the writing and the incompleteness of the novel, although I think it is unfair to judge this against such expectations. The questions shouldn't be: 'is this as good as other novels?' but rather: 'is this interesting; is it valuable; is it better than nothing?' Because 'nothing' is exactly what we had before, and now we have this glimpse into an idea for a novel from a masterful writer as he neared the end of his life. It's not a candidate for my best of the decade list, but it is a fascinating document. It is an insight into the writing process of a great writer. The incompleteness and obscurity is not intentional, and it is up to the reader to make sense of it without any way of knowing what is right or what was intended.

When I read a book there are usually scenes, moments, and descriptions that really jump out at me as being beautifully written and thought provoking. Usually these scenes occur in the context of a story but here they have to be found lying around on there own amidst the notes. I assure you that there are beautiful ideas and descriptions to be found in this book, but it is hard to really call it a book at all. Imagine a gifted writer leaves his notebook behind at a table in Starbucks and you flipped through it. The Original of Laura was interesting like that.

6. Home Land: A Novel by Sam Lipsyte

Homeland by Sam Lipsyte is one of the funniest books I have read in a while. The novel is written as a series of letters to a high school alumni newsletter from an alum who "didn't pan out." After Lewis “Teabag” Miner somehow winds up on the mailing list for Eastern Valley High's alumni newsletter, Catamount Notes, and suffers through all the updates from all the Catamount doctors, lawyers, bankers, and brokers who are buying houses, having kids and accomplishing all the other milestones of middle class life he decides to write back from the perspective of someone who has gone a different route since graduation.

"We've got a state senator, a government chemist, a gold-glove ballplayer, not to mention, according to the latest issue of Catamount Notes, a major label recording artist in our midst... Is this what Principal Fontana meant by the phrase "well-rounded?"
It's fucking spherical, Catamounts.

Alas, my meager accomplishments appear pale, if not downright pasty, in comparison."

Although the book doesn't aspire to much more than acidic black comedy the writing aims high, giving Lewis an erudite and literary voice which enhances the comedy when juxtaposed with such bleak and disturbing material. The style is similar to that found in McSweeny's where mannered, literary prose is applied tongue-in-cheek to banal subject matter for humorous effect, only here the subject matter is much darker and the satire much more biting.

Each chapter is presented as a letter to the editor of Catamount Notes but the narrative isn't really constrained by this gimmick. Once the story gets going plot events and dialogue are presented just like in any other story. At first the updates are just stream of consciousness rants cataloging the various indignities of Lewis's daily life and everything that is wrong with it. There are many anecdotes from the high school days that inform on the current state of his character, from the lusting over the jazz dance squad that inspired his fetish for knit leggings, to the locker room bullying incident that resulted in his unfortunate nickname and various sordid details of the more successful classmates' past that undermine the careful images they try to present in the Notes. Characters from the past keep popping up in Lewis's daily life as well, including the former principal (now fallen far from grace), and wouldn't you know there is a reunion coming up.

See, here's the problem with these book reviews, especially when it's a good book: I'll spend an hour or more trying to compose a decent introduction to the story (without giving to much away) and try to find new and varied ways of heaping praise on the writer, and I'll search for the perfect lines to include as a quote and I'll struggle for the right conclusion that will leave you curious to read the book for yourself... and all I really want to do is put the book in your hands and let you read it- just the first few pages- and from that you will know everything you need to know much better than I can explain it.

So fuck it, here's 1,000 words from the first few pages of Homeland by Sam Lipsyte. It will be the highlight of your day. I didn't write it, I just found it for you (but I should be getting a commission because if my humble readership doesn't flock to Amazon- or at least their local library- after reading this, I'll be amazed).

Excerpt

It's confession time, Catamounts.

It's time you knew the cold soft facts of me. Ever since Principal Fontana found me and commenced to bless my mail slot, monthly, with the Eastern Valley High School Alumni Newsletter, I've been meaning to write my update. Sad to say, vanity slowed my hand. Let a fever for the truth speed it now. Let me stand on the rooftop of my reckoning and shout naught but the indisputable: I did not pan out.

We've got Catamount doctors, after all, Catamount lawyers, brokers, bankers well versed in the Eastern Valley purr. (Okay, maybe it was never quite a purr. Maybe more a surly mewl. But answer me this: Why did we fail so miserably to name this noise with which we spurred out sporting types to conquest? Moreover, why was the mascot of Eastern Valley an animal that prefers elevation? A catamount is a mountain cat, Catamounts!) We've got a state senator, a government chemist, a gold-glove ballplayer, not to mention, according to the latest issue of Catamount Notes, a major label recording artist in our midst.

Yes, fellow alums, we're boasting bright lights aplenty these days, serious comers, future leaders in their fields. Hell, we've even got a fellow who double-majored in philosophy and aquatic life management in college and still found time for a national squash title. Think about it, Catamounts. We didn't have squash at Eastern Valley. We didn't have tennis, either, unless you count that trick with the steel hairbrush and the catgut racquet whereby the butt skin of the weak was flayed. Point being, this boy, Will Paulsen (may he rest in peace), left our New Jersey burg without the faintest notion of squash, yet mastered it enough to beat the pants off every prep school Biff in the land, and still carry a four point zero in the question of Why does the Universe Exist Underwater?

Is this what Principal Fontana meant by the phrase "well-rounded?"

It's fucking spherical, Catamounts.

Alas, my meager accomplishments appear pale, if not downright pasty, in comparison. I shudder at the notion of Doctor Stacy Ryson and State Senator Glen Menninger remarking this update at some fund-raising soiree—oh, the snickers, the chortles, the wine-flushed glances, and later, perhaps, the puppyish sucking of body parts at a nearby motor lodge. Shudder, in fact, is not quite the word for the feeling. Feeling is not quite the word for the feeling. How's bathing at knifepoint in the phlegm of the dead? Is that a feeling?

...

Here's the latest by me, Valley Kitties: I rent some rooms in a house near the depot. I rarely leave them, too. When you work at home, fellow alums, discipline is the supreme virtue. Suicidal self-loathing lurks behind every coffee break. Activities must be expertly scheduled, from shopping to showers to panic attacks. Meanwhile I must make time to pine for Gwendolyn, decamped three years this June, the month we were to wed. So much for scheduling. Valley Cats who maintained vague contact with me in the midnineties may recall Gwendolyn, that doe-eyed, elklike beauty I met at an aphorism slam in Toronto. What you may not realize is how much I truly loved her, if that's the word for wanting so much to bury your head and weep upon the coppery tufts of a woman's sex while reciting "An Irish Airman Foresees His Death," you can hardly sit on the sofa with her.

Gwendolyn's gone now. The sofa's still here. It's deep and velveteen, a goodly nook for napping, or reading in magazines about Gwendolyn and Lenny, her movie star brother, love, and unacknowledged legislator of her life. They take lazy walks along the shoreline, buy antique paper lanterns for their patio. I don't begrudge them their bliss, if it's bliss. Bliss has my blessing. A patio, though, let a quake crack it open. Let the black earth eat them.

Gwendolyn always said I expected too much from the world.

"You wake up every morning like you should get a parade."

I told her I deserved one with the dreams I endure, the kind that find me sobbing myself awake, groping for last night's roach, or else standing at the fridge until dawn sucking on a frozen bagel. I mean dreams where tremendous dragons rear their spiny heads, sink tall teeth in my neck, muss my hair, sign my report card, call me "Darling," "Shmoo-shmoo." Survive that, you should absolutely get a parade, a lavish procession, a town car motorcade through the Canyon of Heroes with our very own Catamount legend Mikey Saladin, who, if you've been following his career, has really blossomed into a fiercesome example of the hulking contemporary shortstop. (Sorry you had to sit out the World Series, Mikey! Good luck in arbitration!)

But I digress from our topic: discipline. You see, good graduates of Eastern Valley, I'm my own boss. I'm also my own sex slave. I'll squander the hours I should be working trolling the Internet for pictures of women whose leg warmers have been spattered with semen. You could call this my kink, Catamounts, and there are more specimens floating about in the ether than you may care to imagine, though not nearly enough for me. Lately I've stumbled across the same photos again and again. I'm beginning to know names, or else bestow them: Jasmine, Loretta, Brie. I'm sure those names will sound familiar to most of you, and as for Jasmine, Loretta, and Brie themselves, immortal lovelies of the Jazz Dancing Club, what can I say but, "Sorry, ladies." I've been beating off to you for half my lifetime, why should I stop now?

But fret not your frittered looks, ex-Eason Valley girls, your time-slung slack and crinkle. When I exercise my right to self-love I run a sort of projected aging program in my mind, picture you vixens in your necessary twilight, your bodies dinged up by babies, gravity, regret. I figure it's only fair. I'm no young buck myself, though, of course, just turn to my "Intimate Portraits" page in the yearbook and you'll see that I was never anything approaching bucklike. Not unless there's such a thing in nature as a buck turtle.

—From the book Home Land by Sam Lipsyte; Copyright (c) 2005.

5. Good Omens by Terry Pratchet and Neil Gaiman

Good Omens is a collaboration between fantasy writers Neil Gaiman and Terry Pratchet. It's a comedy about the end of the world where anthropomorphic demons, angels, and horsemen of the apocalypse, along with witches, witch-finders, and satanic nuns prepare for the coming of the Anti-Christ and Armageddon. (The catch being that everyone on Earth rather likes it there and doesn't want things to end in a cataclysmic battle-to-end-all-battles and so steps are taken, intentionally and unintentionally, to subvert the master plan and save the world.) If you've seen recent theologically-based comedy adventure stories like Dogma or Little Nicky you know some of what to expect from the characters in Good Omens. The angels are wry and cynical, the demons are sympathetic and likeable, the leadership of both heaven and hell is questionably overzealous and humanity is stuck in the middle, a healthy balance between the two extremes.

As I am writing this I can actually feel the pull towards writing a negative and critical review. I didn't think it was a terrible book. I kind of liked it and I can see why other people would, too. I really like Gaiman (well, I really liked the Sandman comics, I never got into his novels). Maybe this just isn't my style. Comic-fantasy stuff like Douglas Adams has never really clicked with me despite the frequent recommendations from friends. Or maybe it is because I started reading Homeland by Sam Lipsyte while I was still trying to finish Good Omens. I frequently have two books going at once but usually one is a more serious literary novel and the other is a more lighthearted popular work. In this case I had two contemporary humor novels going at the same time and Lipsyte was a much better read. Then again, maybe it's because this is the kind of book I would have abandoned halfway through but now, because of Cannonball read, I feel compelled to finish everything I start so I can keep up my stats.

I know a lot of people who pride themselves on never giving up on a book or always finishing what they start. Personally, I don't get it. This is actually something I do a lot, I jump into a novel for 100 pages or so to get a feel for the writing and the story, then lose interest and jump to something else. I figure I can't possibly read everything I want to in one lifetime so I might as well hook up with Rushdi, Borges, or Garcia-Marquez for a couple days to at least get a feel for them. I promise I'll call, but who knows? Besides, I take enjoyment in the little things when I read, the descriptions and ideas that can be communicated in a page or two. The bite-size morsels that sometimes make you have to lower the book for a minute and think , or jump up and pace around the room. I can usually find enough of those in the first half of the book while momentum is high and the pages are turning easy. Yes, there is something to be said for sticking with a book for the duration and letting character and narrative arcs, themes, and plots run their course- I'm not advocating skipping the back 60% of novels- it's just that, given that you can only read so much in a life time, well, it's better to have read and abandoned than never to have read at all.

But I didn't abandon Good Omens, I stuck it out to the end. At times it dragged for me. Maybe this was a result of the collaborative writing experiment by Pratchet and Gaiman. The story was full of clever bits and indulgent digressions as Gaiman and Pratchet tried to out-cute each other in the writing process. It jumped around constantly to new characters and situations but seemed to lack any discipline or cohesion in the storytelling (I realize everything fits together in the end and therefore everything is included for a reason, but it still seems like sloppy storytelling with an emphasis on incidental character descriptions and asides instead of telling a tight, well-paced and compelling story.) The tone of the writing which was amusing at first really started to wear on me by the end and it felt like things were taking forever to come to a conclusion which I found somewhat unsatisfying. If it sounds like something that appeals to you it probably will. As for me, I won't be concerning myself with Discworld or American Gods anytime soon, but I am interested to read The Graveyard book and Gaiman's recent capstone to the Batman series "Whatever Happened to the Caped Crusader?"